Высосал из пальца ещё малость концептов #5. (Пардон за некоторое количество повторяющихся с моих прошлых постов кадров)
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Cory Loftis / digital
Amelias
Cory Loftis / digital
[Visual development artist] Armand Serrano did an interior of Manchas’s apartment based on [story lead] John Ripa’s boards-a wet, drippy, messy environment that reflects the rainforest as well as Manchas’s state of mind. -Josie Trinidad,](http://img1.reactor.cc/pics/post/full/furry-Zootopia-concept-art-Zootopia-concept-2939173.jpeg "furry,фурри,фэндомы,Zootopia,Зверополис, Зоотопия,concept art,Zootopia concept")
То, откуда это всё берётся (предположительно).
Подробнее
FOuuckf Borja Montoro / digital I Loftis / d ^ • , a con, aspect to Finnick’s personality that COme* ^ГОгг th . i / he speaks. We made a choice to ^tcn iment in his animation, instead of the •tions of fennec foxes who are very erratic «KJnerv/ч - . b es constantly moving around. 0d head of animation Cory Loftls / digital Cory Loftis digital > Shiyoon Kim / digital 83
Cory Loftis / digital The sloths had to earn their way into the film. Д joke about sloths being slow is easy. But it became truly funny when we put them in an environment that relates to Zootopia and directly affects our main characters. -Rich Moore, director Storyboards: Jason Hand, Josle Trinidad / digital 91
David Goetz / digital Shiyoon Kim / digital Shiyoon Kim / digital Shiyoon Kim / digital In order to have Gazelle walk upright we had to cheat the natural anatomy of her leg. What looks like the knee on the animal is actually the heel, and the heel-to-toe length is much longer than a human’s. We tapered it into a graceful shape, and had her stand on her toes as if she’s wearing high heels to get the fluidity you see with a real gazelle. -Shiyoon Kim, visual development artist Nick Orsi / digital 67
Cory Loftis / digital Amelias Cory Loftis / digital [Visual development artist] Armand Serrano did an interior of Manchas’s apartment based on [story lead] John Ripa’s boards-a wet, drippy, messy environment that reflects the rainforest as well as Manchas’s state of mind. -Josie Trinidad, head of story Dan Cooper / (paint over) digital
Р, r*6&{* Cc* P'P M NJC^C. F&F 'K&& ТоЯьЗ £A<^- Na^£ai> Ci/me ЪЪи>*я> fW or /М^сзр A*>\ \JP ^c'XXXZ" ^0ыО^ OP WrCbbfc B^co Bogo is a Cape buffalo and he embodies everything that Hopps isn’t. He has horns, scars, a grizzled hide with patches of hair missing. He’s all hard angles and sharp expressions. Even his hooves look extra hard and dangerous. -Cory Loftis, art director of characters ■
Otters are bulkier than weasels, and tough, like one big muscle. But Mrs. Otterton needed to seem frail enough to ask a bunny for help, so we gave her a thinner wrist and neck. -Cory Loftis, art director of characters Cory Loftis / digital Cory Loftis / digital Cory Loftis / digital Cory Loftis / (draw over) digital 107
Cory Loftis / digital Cory Loftis / digital Cory Loftis / digital Duke Weaselton, the weasel Nopps apprehends, is a petty criminal, so we roughed him up a bit to make him seem shady. Mis joints are bonier, his fur is disheveled, and his whiskers are straggly. He was probably electrocuted once but he lived. -Cory Loftis, art director of characters 89
Matthias Lechner / digital The Plaza is framed by the biggest buildings. The train station is across from the ZPD, with City Hall on the left, all facing each other. The daily migrations occur in the middle of all of this. -Dave Goetz, production designer
Shiyoon Kim / digital
Nick Orsl / digital Corv Loftis / digital
si / digital Cory Loftls / digital
ICodoAp's Palace Koslov started as a Russian gangster who owned a restaurant that was a front for his criminal activity. Koslov’s Palace is a polar bear cave with a Russian-style interior. The tile is made of ice that flashes red, purple, pink, and blue when light flickers through it. -Matthias Lechner, art director of environments
••и. Matthias Lechner / digital David Goetz / digital
furry,фурри,фэндомы,Zootopia,Зверополис, Зоотопия,concept art,Zootopia concept
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