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TOMB RAIDER The Beginning In this prelude to the exciting new entry in the Tomb Raider video game saga, lead game writer Rhianna Pratchett reveals the untold story behind Lara Croft’s earliest adventure. Join Lara and thexcrew of the Endurance as they prepare for a thrilling journey to uncover the lost kingdom of Yamatai. For over fifteen years, the Tomb Raider adventures have been some of the most enduring and popular in the world of video games. Now, Lara Croft’s bold new reimagining is further explored by some of comics’ most talented creators in this exclusive volume. CRYSTAL DYNAMICS SQUARE ENIX. :om I TombRaidef.com DarkHorse The Beginning Л PQl v ;| IL 1 1 J 1. | If ] 1 — ^ 4-^ Г XWk ■ 1 a ГчЛ • Ш 14 » fl A • 1 и J ‘ z'\T я L 1 ш :' <__/ Jft
TOMB RAIDER The Beginning SCRIPT RHIANNA PRATCHETT PENCILS PAGES 5-28 NICOLAS DANIEL SELMA PENCILS PAGES 29-52 ANDREA MUTTI INKS PAGES 5-28 JUAN GEDEON INKS PAGES 29-52 PIERLUIGI BALDASSINI COLORS MICHAEL ATIYEH LETTERING MICHAEL HEISLER COVER ART AND DESIGN BRIAN HORTON En! DARK HORSE BOOKS
PUBLISHER IIKE RICHARDSON oVlection designer aHarson JSISTAN^EBffms :L LaROCQUE ai EDITOR IAN TUCKI TOMB RAIDER: THE BEGINNING Tomb Raider © 20 V3 Square Enix> Pevelc Square Enix>. and their respective logos are Enix HoraiwgjDoA Ltd. All rights reserved. Ddrl; tered trad^rparksof Dark Horse Comics, Inc. be reproducedortransmitted, in any form or I of Dark Horse Comics, Inc. Names, characte either are the produbttaf the author’s imaginati\ fstal Dynamics. Tomb Raider, irks and/or registered trdddrri lote^\Books® and the Dark Horse ll rights reserved. No portion of thi any mpans, without the expresslwrfit ilSces, and incidents featured in are used fictitiously. Any resemb per ad), events, institutions, orilc to Crystal Dynamics and Square firicintent, is со ncident 'including: Rich Briggs, Bran Brent Pybtfsrted bj )ark Horse Boeks-^-livisi^n Dark Horse-Comics. Inc. 10956 SEMair Milwaukie, OR 97222 DarkHorse.com TombRaider.com amics, uare Sq regis- ;ion cS First edition: January 20' .10 9 8 7 6 5 4\3 Printed in the United States of America Mike Richardsdd President and Publisher Neil Hankerson Executive Vice Presic Chief Financial Officer Randy Stradley Vice President of Publishing Michael Martens' of Book Trade Saled, Anita Nelson Vice President of Business Affairs Scott Allie Editc Matt Parkinson Vic© President of Marketing uaviaSbroggy Vice President of Product DevdU Dale La Fountain Vice President of Information Tedhnblogy Darlene Vogel Senior Director Design, and Production Ken Lizzi General Counsel Davey Estrada Editorial Director Chris Senior Books Editor Diana Schutz Executive Editor Cary Grazzini Director of Print and Detfelopr Lia Ribacchi Art DireabRCara Niece Director of Scheduling Tim Wiesch Director ofIntefnatior Licensing Mark Bernardi Doctor of Digital Publishing
DON'T \ panic, theY've COMMISSIONED A THIRD SEASON. k YOU'RE STILL . 4 GOLDEN. V AN ^ r EX-COP SEEMS A SIT EXCESSIVE FOR AN ARCHAEOLOGICAL V EXPEDITION. KNOW. BUT CAPTAIN ROTH INSISTED HE PICK HIS OWN V PEOPLE. > 6
ANP THIS IS LARA CROFT, ONE OF OUR . PECKHANPS. ^ IT'S AN HONOR. > I'VE WATCHEP All VOUR SHOWS. I STUPIEP k ASIAN ARCHAEOLOGY . V AT COLLEGE. r PIP you, > NOW? WELL, ALWAyS (SOOP TO MEET A C PAN. ^ г IV VERy > MUCH LIKE TO GET STARTEP ON THE INTERVIEWS, V Roth. > 7
WE'P ^ RATHER УОи PIPN'T PRINK ON CAM ERA. NOT ^ V BREW. BRU/ ■ IRN-BRU. FINEST §1 PRINK IN SCOTLANP. FINEST PRINK IN ТШ? WORLP.' OH, JUST N LET HIM HAVE IT WE HAVE TO . START/ > I'M HERE WITH 7 CAPTAIN CONRAP ROTH, OF THE ENPURfiNCB. ANP HIS 4 HELMSMAN, MR ANGUS . ^ GRIMALPI. GRIM. 1/ SO, I X Y BELIEVE YOU > GENTLEMEN HAVE BEEN GOING ON EXPEPITIONS TOGETHER FOR . OVER TWENTY у К чете? л MR GRIM. WHAT HE > POESN'T KNOW ABOUT SHIPS ISN'T WORTH v KNOWING. ^ REMEMBER SOMALIA, ANGUS? > ^ TELL US ^ ABOUT ONE OF yoUR . APVENTURES. . ммчгик* тчгли ■HHrf" 12.3Вр5Л:
“A COUPLE OF У EARS* BACK WE WERE POING A BIT OF BUSINESS IN SOMALIA. “ACTUALLY IT WAS MORE LIKE RECLAIMING A CLIENT'S PERSONAL PROPERTY. “LET'S JUST SAY THE NATIVES WEREN'T FRIENPLY" S WISH N THEY'P HURRY UP THEN. IT'S ALL THIS FANNYING ABOUT I CAN'T V STANP. У ' PAFT ^ BASTARPS/ AIN'T GOT NOTHING ON s. ME, MA. v THINk THEY'LL kILL US. PROBABLY. ^ PITY ^ YOUR MA AIN'T HERE THEN. .
you от the HORSE, . RIOHT? . ^ УЕАН, IN THAT > SIPE OFFICE. ALONS WITH VOUR PISTOLS. SUyER MUST'VE NOT ч SHOWN UP УЕТ. / RAMN IT ANSUS. I'M NOT 60IN<3 OUT LIRE v THIS, л THERE'S A JEEP OUTSIPE. . UNSUARPEP. . l'N Г\\К^ ^ X I CAN X f HELP THERE. > WHEN ТНЕУ RNOCREP ME POWN, I MANAOEP TO SECURE US i A LITTLE SIT / OF..._____, У 11
X so then we x f ESCAPЕР, GOT THE MORSE BACK, STOLE TWE JEEf? NARROWL1/ ESOAPEP BEING SHOT STABBEP, ANP CUT V UP WITH А У V MACHETE. MAYBE SEVEN POINT FIVE. ГР RATE IT A SEVEN POINT PAY ^ MOW THE ^ MELL HAVE YOU BEEN KEEPING IMIS THING AFLOAT FOR v SO LONG? > r SHIT/IT'S COMING FROM THE ENGINE V ROOM. у ER, SMOULP THAT BE HAPPENING? . A BIT OF A > SITUATION. CAN YOU COME A FEW PAYS V EARLY? У 4 YOU ' KNOW I'M LOOKING AFTER ALISHA. „ WE NEEP YOU. OKAY OKAY J NEEP YOU, REYES. k I'LL BE THERE TOMORROW. О 12
^ IT COULPN'T ^ WAIT UNTIL ALISHA'S SUMMER VACATION iv WAS OVER? Л ' THANKS FOR ' COMING EARLY, REYES. THE ENGINE'S PIEP ON US. I WAS HOPING YOU COULP COAX IT BACK 4. TO LIFE. ^ MOM CAN FIX ANYTHING. 13
1Л/ИУ PONT you TELL ME ^ИУ AN EX-COP ENPEP UP . BEING A MECHANIC? > f SMART GUy ^ LIKE УОи...ГМ BETTING УОи KNOW THE ANSWER TO k. THAT ALREAPy. A LET ME TELL УОи SOMETHING... Г WELL, I KNOW ~ you QUIT THE N.y.RP. OVER A GANG SHOOTING. k SOMETHING TO PO WITH yoUR PARTNER. ^ •®#£5.TSf8.0 3.8)« 14
“he was оne of the best ON THE FORCE. TAUGHT ME EVERYTHING HE KNEW ABOUT BEING A GOOP COR “AFTER A FEW У EARS ON THE JOB, WE GOT CAUGHT IN A PRUG PEN SHOOTOUT HIS WEAPON MUST'VE JAMMEP. ТНБУ GUNNEP HIM POWN LIKE HE WAS NOTHING. “I COULPN'T TAKE THAT SO I QUIT BUT I'P MAPE A PROMISE. “BUT PRUG MONEY BUYS GOOP LAWYERS. THE BASTARPS GOT AWAY WITH IT I f—)CZZ)CJC——J_c_ A faac ID £= “I PROMISEP HIS FAMILY THAT I'P MAKE IT RIGHT ICZDC 5стгэс " — г~ щ 15
.** <'~ТШ1 II111ЩГ £A У 4i 1 ill 11
“BUT I STILL HAP BILLS TO PM, so I MOVEP IN WITH МУ SISTER “ANP WENT TO WORK IN МУ BROTHER'S 6ARA6E. “I OUESS YOU COULP 5АУ I HAP A KNACK WITH /MACHINES. “THE WORK CALMEP ME. “THEy'RE LESS COMPLICATEP THAN PEOPLE.
“I MET HIM POWN AT A BAR I USEP TO PRINK AT AFTER WORK. “IT HAP BEEN A TOUOH РАУ. I WAS MISSING THE FORCE." “CERTAINLY LESS COMPLICATE? THAN A CONRAP ROTH. YOUVE HAP ENOUGH/_ V FILL it up 1 RAMN IT/ IF I CAN'T FINP THEM, I'LL FOR3ZT J V THEM/ ^ “SOME GUY WAS MAKING A FUSS. HE'P BEEN PRINKING ALL РАУ ANP ТНЕУ'Р CUT HIM OFF. HE WASN'T HAPPY. KEPT TALKING ABOUT HIS MISSING FRIENPS ANP HOW HE SHOULP'VE FOUNP THEM ВУ NOW. “I WASN'T IN THE MOOP FOR OTHER PEOPLE'S BULLSHIT. f ^ j s / / N. JMPi Ш > ШL: v~— A 18
“WHEN HE CAME TO, I WAS REAtTV FOR RETALIATION. BUT INSTEAP HE JUST LAUOHEP. SAIP HE PESERVEP IT “WE TALKER ANP THEN HE OFFEREP ME A JOB. THIS JOB." ^ so ^ HE SAW POTENTIAL IN YOU? ANP ^ r WHAT ABOUT ALISHA? HAS SHE EVER COME ON AN L EXPEPITION? У HE WASN'T REAPV TO BE A PARENT . W PERHAPS. ROTH ^ Г HAS AN INSTINCT ABOUT PEOPLE. CAN'T ВАУ I AGREE WITH HIM EVERV TIME, BUT THE ^ MAN TRUSTS HIS / out „ NO. I ^ NORMALLy KEEP 1 HER AWAy FROM ALL THAT МУ SISTER LOOKS AFTER HER , к WHEN I'M AWA/ jk WHAT ABOUT HER FATHER? 19
' iJAMBS' NOW'S ГГ GOING POWN THERE? THIS BUNCH'LL /VШЪ FOR 6R6AT TV. 4> t?R > THAT'S WHAT I WAS RINGING ABOUT. г WHAT IS IT? 20
WHAT'S ' ЙЕ TALKING ABOUT? . PONT KNOW. JUST KEEP . WALKING. . 21
TMONKS'. TELL ME 40UV& SEEN 0U$y WITH CONVINCING THE NETWORK TO REINVEST IN WHITMAN'S К you > KNOW WHAT THE NETWORK'S LIKE. IT'S ALL ABOUT RATINGS WITH ; them. > V BUT ITS n TUB SEARCH FOR УАМАТА1- THE LOST KINGDOM. IT COULD BE A j GOLDMINE' Л 22
WHAT THE HELL (ARE VOU POING, _ SHEILA? SELLING YOUR OLP STUFF. ^ OLP ” STUFF? ТНЕУ'ЙЕ . ANTIQUES/ > WHATEVER/ ARE УОи LEAVING ME ANVTHING? ' yOU'RE NOT BEING REASONABLE. ^УОи GET THE > HOUSE WHEN I'M THROUGH WITH IT I GET THE BANIC ACCOUNT ANP ч THE REST' A 23
г тиотэ, twosе n pieces тие lonpon Museum sent us for season tWRee ,Hwe ^ iwey sone back > ^ ive * GOT THEM HERE. THEY'LL HAVE TO GO BACK SOON > THOUGH. v> then set them REAPy . FORME. . 24
W FU, LU, ^ ANP SHOU. "THE алтее sops of eoov FORTUNE, PROSPERITY, ANP . L LONGEVITY. A Г /ИУ ^ r LOCAL CHINESE RESTAURANT HAS SOMETHING ^ SIMILAR. A 25
Jfegsze^jtf sl\Q Лл , Ж!\ ■ v ITT " Ш щ_ п 1 11LL Щ № И Ц в те Ш “I ПГ1 Ш \ \ t \ jffi ЛЛ \ 1 II К пилшм Ш ш/- ч p я р
ивбШ please. NO MORE HITTINO' r QUICK, ^ LET'S SET OUT . OF HERE. . w OH OOP... THERE OOES THE . FUNPINO. > PR WHITMAN. 30
т Т/л JONAH Л MAtAVA. ROTH SENT №. HE THOUGHТ YOU /Л\вНТ BE GETTING . yoURSELF INTO . К TROUBLE. ROTH KNEW. ^ HEPRETTy > MUCH KNOWS EVERyTHINS THAT HAPPENS ON HIS V SHIR V &- i—1 - y\
■ ии 11 r THANk you FOR WHAT you pip адск . THERE. ^ yOU'RE > WELCOME, AWN. WE'RE ALL PART OF THE 5AME iw CREW. A ^ IT? BETTER 60 ANP TALk TO ROTH. . " HE'5 ЛГ'ц [I OUT AT THE Wl u-MOMENT COME ON, 6IVE ME A / V HANP. >/•
г why ^ PIPN'T YOU TELL US THE NETWORK MAP PULLEP THE w FUNPIN6? > MOW ARE YOU POIN<3? WAS HOPINS I COULP FINP THE FUNPIN6 SOME . OTHER WAV. у x МУ A6ENT X / IS STILL TRYINS N TO CONVINCE THE NETWORK TO RECONSIPER IF ТНЕУ PONT, THEy'RE IPIOTS/ THE SEARCH V FOR УАМАТА1, IT J \ COULP BE... Ж EXACTLY/ 6ROUNP- BREAKINC/
^ LARA, ЛЛУ LITTLE ^ BIRD. YOUVB GOT TO LISTEN TO YOUR HEART ^ SOMETIMES. ^ r yoU'RE > STARTING TO SOUNP LIKE DAP. AT LEAST AT L THE END A r WAIT A MINUTE. > WAS yoUR FATHER RICHARD CROFT, THE v ARCHAEOLOGIST? v I THOUGHT I RECOGNIZED . THE NAME. . I'M SORRY ABOUT WHAT HAPPENED. THANK VOU. 34
r UNFORTUNATELY ^ the divorce didn't LEAVE ME wrrvi QUITE . AS /MUCH AS I'D MOPED. ^ Г МУ AO ENT'S л STILL WORKINO ON THE NETWORK. тнеу твит к RECONSIDER. > ^ WELL...NOT r THAT WE DON'T T APPRECIATE yoUR EFFORTS IN TRYING TO SECURE /MORE, BUT 4 WHERE DOES THAT _ V LEAVE US? and what HAPPENS IF ТИЕУ . DON'T? > г I GAN ^ PUT UP HALF THE MONEY. BUT THAT'S STRETCHING IT I'M STILL WITHOUT A CAMERAMAN OR A . к RESEARCHER ‘ V I COULD BE л YOUR RESEARCHER I'VE DONE IT BEFORE AND I USED TO SO k ON DIOS WITH МУ . PARENTS. ^ у that n; WOULD SOLVE ONE PROBLEM. BUT RESEARCH IS NO OOOD WITHOUT . L. FUNDING. GET OUT ON PECK, ROTH. ITS ALEX' ,
^ SO WHAT ' HAVE УОи DONE THIS TME...ANP HURRY UR THERE'S V A /WATCH ON. > анщ —c I II \ > X у/ / /i/Ц |мл1 X s / IV' Жм M L / у_д! И “ ^|i
you KNOW X f HOW CERTAIN \ GOVERNMENT BODIES 1 have been сочвring UP CERTAIN ACTIVITIES TWT CERTAIN J v PEOPLE ARE KEEN / fev TO EXPOSE... / ^ WELL...I ^ Г МАУ HAVE-JUST AN LITTLE BIT, HACKED INTO CERTAIN DATABASES "MAT SAID GOVERNMENT BODIES SET QUITE ANTSy , к ABOUT PEOPLE A V SEEING. AND NOW? IT I THINK ~ IVE LOST THEM. 1 BESIDES, I HEARD YOU WERE STARTING AN EXPEDITION. THOUGHT YOU MIGHT к BE ABLE TO USE i b. МУ... SKILLS. y_ r AND УОи THOUGHT yoU'D . RUN HERE? , L.C.'S ^ SOT ГГ/ AND I ^ WAS IN THE MIDDLE OF WORKING ON SOME GROUNDBREAKING SOFTWARE TOO. A r com ~ ON, ROTH. WE COULD USE HIM, COULDN'T WE?. 38
PR. WHITMAN. come IN. 50, ЛММУ r WHITMAN. you BEING VOR/VWyse ALL ВУ yoUR LONESOME IT'S THE WOULPN'T HAVE ANytHING . PIVORCE? TO PO WITH THE NETWORK h— < PULLING yoUR A I F I FUNPING? Г IHOW PO I you KNOW I ABOUT ALL ;f / < " V THAT? RIGHT yOU'RE THE TV. GUy RIGHT? 7--SO ^ ' WHERE'S yOUR T CREW? CAMERAS? IT'S JUST ME FOR NOW, /Да hot girl to j Is. I'M AFRAIPV I/ ^ jz \ POWPER МУ 4 5ГЯ ■ i x mY / FACE? В
S WELL УЕ5, IT ^ 19 TRUE THAT THE NETWORK CHANGEP THEIR miNP ABOUT k FUNPING SEASON > К THREE. rm hoping my AGENT CAN /ЛАКЕ THEM REOONSIPER., ~ SO WHAT ^ EXACTLy ARE WE POING HERE V THEN? a s BUT VOU ^ f PON'T THINK ' ТНЕУ WILL, PO УОи? THAT'S WHY УОи'УЕ BEEN GOING TO SUCH EXTREME LENGTHS w TO TRy ANP FUNP A A. THIS yOURSELF. 41
' THINO'S- FOR Де де certain shittwesprreer . 4. WRITTEN ОСШЯУ- ^WELL VOU ^ Lore OF STUFF № PON'T WANT ГМ©И v PINPIN6 OUT > ^ ABOUT. jL ^PSOBABLV PULL OF AU- K!NP5 OF STUFF 1НЕУ PON^ WANT UB FINPINO Ч! OUT ABOUT. J T'S OBVIOUS, ^ ISN'T IT? VAAftATAJ В A COVER-UP ВУ t^JAPANBSE к. GOVERNMENT.^ V УЕАИ, > SURE. BUT 1HEIR STUFF IS PROBABL-У МСЙ L COOLER./ WHAT po you MEAN? 4sv
r IF we ^ ' FINP УАМАТА1 ANP IT'S FULL OF KILLER ROBOTS ANP SENETIC , /MUTATIONS, I , 4 CALLEP IT / r I'P ASK FOR МУ BOOK BACK, BUT 1THINK you COULP USE THE . EPUCATION. > COURSE, WE NEEP TO SET OUT OF PORT V FIRST. A r /MEET/ME IN /МУ CABIN. ANP PITCH THE TAPE . RECORPER. j /МАУ KNOW A WAy WE CAN KICK UP A BIT OF EXTRA V FUNPINS. J T BEFORE I LEFT I > WAS WORKINS ON A PIECE OF SOFTWARE THAT COULP HACK SA/MBLINS SITES, к TURN THE TABLES IN > ^ /МУ FAVOR. ANP IT'S UNPETECTABLE? I'VE ^ BEEN TESTINS IT OUT OVER THE LAST COUPLE OF HOURS. LOOK, IT'S ALREAPy RAKEP IN V TWO SRANP/ Л PON'T LIKE THE SOUNP OF THAT IT'S A FACELESS CRIME, L.C. — \ / l/ШЛ —•■W / v>,. r 1 v к % ' о? Lk/— 1 / 43
IT'S WORTH A SHOT. PO ^ you THINK A LEX'S PLAN IS GOING TO . WORK? > f THIS /WAV ^ SOUNP CRASS, BUT LARA'S FAMILY HAP MONEY, , VPIPNT THEY? J YES. r BUT LARA NEVER N TOUCHES IT TIEP UP THE MAJORITY OF IT SO TIGHTLY THAT SHE . CAN'T, EVEN IF SHE . V WANTEPTO. WHY WOULP ANYONE ^ PO THAT? . r BECAUSE > SHE WANTS TO MAKE HER OWN WAY. ON HER V TERMS. У LOOK OUT7 WHAT HAPPENEP? 'Ш Wl'/ iv'/ Ш [W ]/( 1 \w . T A
^ NO. BUT WHITMAN 4 STILL WANTS TO MAKE THE DOCUMENTARY. HE'S PUTTING HIS OWN MONEY INTO /Т. BUT ITS NOT У ENOUGH. 4 I KNOW YOUR UNCLE'S FINANCED . ROTH BEFORE. . Г WANT ME > TO TALK TO HIM? HE'LL WANT A 0)6 SLICE OF WHAT WE V FINP THOUGH, vj OO/VT 7Ш«Г THAT'LL BE A PROBLEM. 45 THEN LEVS MAKE THIS HAPPEN.' THANKS, SAM.
w EVERYONE'S HAVINC BREAKFAST LET'S TELL THEM. _ г МУ ^ ACENT SAYS THE NETWORK WON'T BUPOE. THERE'LL BE .NO FUNPINO.y f THEN ™ WE /Y1ICHT AS WELL JUST PACK UP OUR BASS V ANP <50. Л NOT UNTIL yOUVE MEARP . SAM OUT . - ^ LARA LET № ^ KNOW THE SCORE. I SPOKE TO МУ UNCLE. HE'S PREPAREP TO COVER THE REST OF V THE FUNPINO.^f- THAT'S INCREPIBLE. I KNOW yOUR UNCLE. WHAT'S HIS . PRICE? , r ngy ^ МУ mORNINO'S LOOKING UP' , 3^ I'P QUIT THAT ^4] ATTITUPE NOW, IF I WERE YOU, ALEX. OR IT'S . COINS TO BE A VERY , V LONS TRIP/ ^ 47
THERE IS \ _____ ONE OTHER V--------- CONPITION. yotl NEEP A ^________Л NEW CAMERA- V PERSON. ANYTHING л ELSE WE SHOULP v KNOW? v r YOU'RE > RIGHT THE NETWORK PAIP FOR THE LAST v ONE. J 60% OF THE SALE PRICE OF ANYTHING YOU w BRING BACK. . YEAH. THAT SOUNPS LIKE HIM. THE BASTARP ALWAYS PRIVES A HARP > BARGAIN. У 48
r THE SOUTH > might ве warmer, вит there's Less CHANCE OF PIRATES . IF we 60 VIA > S NORWAY ^ then ^ we better make sure weve got the right к PERMITS. ALBX ^ CAN УОи ШРЛУ ■гнем ALONG? > ВУ HURRY УОи M©*N...? ^ JUST MAKEтнем HAPPEN. r ON ГГ T RIGHT AFTER THIS SCREEN 15 V FfXH> ^ r THANKS, ^ Reyes. WE'LL SET SAIL IN A COUPLE OF 4 HOURS. > r THE ^ ENGINE'S AS GOOP AS SHE'LL к EVER BE. У AWESOME/ 50
^ тчъе ^ ONB ЙАУ WB'LL . both ве. . ^ pon't ве > SILLY, SAM. Ш NOT . IMPORTANT. > VOU WILL Be. ONB РАУ. I KNOW IT. I CAN'T BBLieve we'rb DOINCTHIS. . ' I KNOW. IT'S > INCRBPIBLB. IT'S COINS TO CHANCB v OUR Lives, у 51
SKETCHES BY ANDREA MUTTI
SKETCHES BY NICOLAS DANIEL SELMA
THE ESSENTIAL CONTINUATION OF LARA CROFT'S JOURNEY! COMING SOON FROM DARK HORSE COMICS!
Lara Croft,Tomb Raider,Игры,Лара Крофт,Comic Book,Смешные комиксы,веб-комиксы с юмором и их переводы,2013,Square Enix,crystal dynamics
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